Herman Melville once said “The eyes are the gateway to
the soul”, and I agree. As a director, I’m staring
at an actor’s eyes during auditions to see if they believe
they are the character. Even with the motions appropriate (A
side effect of weak acting is overcompensating through extra
movement), if their eyes show something contrary to the emotions
in the scene, I won’t use them in a principal role. If
the scene is serious and they have a twinkle in their eye because
they feel silly in front of me and those seated with me at
the audition table, how are they going to pull off an emotional
scene in front of other actors and 12+ crew members? Another
thing your eyes will reveal is whether you’re over thinking
your next move or dialogue. You shouldn’t just be waiting
for your turn to orate some dialogue, you should be engaged
in the scene, interacting with others and ready to express
your dialogue in a way that the viewer will stay intrigued.
Film is all about the close-ups and they must relay pure emotions.
Learn to emote properly by studying others and then yourself
in the mirror. Nothing over-the-top, this isn’t theater.
Believe in yourself, practice so you’ll evolve as an
actor, and never give up on your dreams (especially when everyone
else is telling you that you should quit).
J
John Foutz
Foutz Studios, LLC
www.FoutzStudios.com